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      <image:title>Bio | Contact - Jonah Mixon-Webster is a poet, educator, scholar, and art activist from Flint, MI. His debut poetry collection, Stereo(TYPE), received the PEN America/Joyce Osterweil Award and was a finalist for the Lambda Literary Award for Gay Poetry. He is an alumnus of Eastern Michigan University and obtained a Ph.D. in Creative Writing from Illinois State University. He is the inaugural Mellon Arts Postdoctoral Fellow in African American and African Diaspora Studies at Columbia University, the recipient of the Windham Campbell Prize for Poetry and fellowships from Vermont Studio Center, Center for African American Poetry and Poetics, Images &amp; Voices of Hope, The Conversation Literary Festival, and the PEN Writing for Justice Program. His poetry and hybrid works are featured in various publications including Obsidian, Harper’s, The Yale Review, The Rumpus, Callaloo, Pennsound, Best New Poets, and Best American Experimental Writing.</image:title>
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    <lastmod>2023-07-08</lastmod>
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    <lastmod>2022-02-25</lastmod>
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    <lastmod>2022-03-16</lastmod>
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      <image:title>Works - PROTOCOL</image:title>
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    <lastmod>2021-07-04</lastmod>
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      <image:title>Works - STEREO(TYPE)</image:title>
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      <image:title>Works - STEREO(TYPE)</image:title>
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      <image:title>Works - STEREO(TYPE) - Available from Knopf/Penguin UK/PRH Audio Winner of the PEN America/Joyce Osterweil Award for Poetry Finalist for the Lambda Literary Award for Gay Poetry Recipient of the Windham Campbell Prize for Poetry</image:title>
      <image:caption>A radical, urgent collection of poems about Blackness, the self, and the dismantling of corrupt powers in the fight for freedom. Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist. Challenging stereotypes through scenes that scatter with satire, violence, and the extreme vagaries of everyday life, Mixon-Webster invents visual/sonic forms, conceptualizes poems as transcripts and frequently asked questions, and dives into dreamscapes and modern tragedies, deconstructing the very foundations America is built on. Interrogating language and the ways we wield it as both sword and shield, Stereo(TYPE) is a one-of-a-kind, rapturous collection of vital and beautiful poems.</image:caption>
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